Matching infills & retouching
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WORKSHOPS held at this conservation lab.
General information about (In-painting and Loss Compensation on Paper Conservation (“Match your Infill”).
Find below the portfolio projects related to Matching infills & retouching:
Course: Texture Reproduction in Book and Paper Conservation (Amsterdam, 2025)
Infilling and in-painting techniques on paper conservation. Silicone moulds for texture reproduction, digital technology, cellulose powder, sheen and color match, tips and tricks.
Workshop: Match your Infill (The Hague, 2024)
Infilling and in-painting techniques on paper conservation. Texture replication with silicone moulds, paper pulp fills, dyes and colorants, digital, colour and gloss, tips & tricks.
Course: Match your infill (London, 2024)
Infilling and in-painting techniques on paper conservation. Texture replication with silicone moulds, paper pulp fills, dyes and colorants, digital, colour and gloss, tips & tricks.
Course: Match your infill (Tartu, 2024)
Techniques, materials and products to infill and in-paint. Mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, digital retouch, tips and tricks for retouching.
Course: Match your infill (Mohammed Bin Rashid Al Maktoum Foundation, 2023)
Techniques, materials and products to infill and in-paint. Techniques, materials and products to infill an in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, digital retouch, colour, tips and tricks for retouching.
Course: Match your infill (Prague, 2023)
Infilling and in-painting techniques on paper conservation. Texture replication with silicone moulds, paper pulp fills, dyes and colorants, digital, colour and gloss, tips & tricks.
Course: Match your Infill (Art Institute of Chicago, 2023)
Infilling and in-painting techniques on paper conservation. Texture replication with silicone moulds, paper pulp fills, dyes and colorants, digital, colour and gloss, tips & tricks.
Course: Match your infill (València, 2023)
Infilling and in-painting techniques on paper conservation. Texture replication with silicone moulds, paper pulp fills, dyes and colorants, digital, colour and gloss, tips & tricks.
Course: Match your infill (Leiden, 2023)
Infilling and in-painting techniques on paper conservation. Texture replication with silicone moulds, paper pulp fills, dyes and colorants, digital, colour and gloss, tips & tricks.
Course: Inpainting and Loss Compensation on Paper Conservation (Oslo, 2022)
Infilling and in-painting techniques on paper conservation. Texture replication with silicone moulds, paper pulp fills, dyes and colorants, digital, colour and gloss, tips & tricks.
Course: Inpainting and Loss Compensation on Paper Conservation (Yverdon-les-Bains, 2019)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures, matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Premià, 2019)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Leiden, 2019)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: “Inpainting & Loss Compensation on Paper Conservation” (Granada, 2018)
Inpainting and loss compensation on paper conservation. Workshop with theoretic and practical sessions. Organization: University of Granada. Language: Spanish. Dates: October 22-24th, 2018.
Course: Inpainting & Loss Compensation on Paper Conservation (Barcelona, 2018)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Paris, 2018)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures, matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Premià, 2017)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper Conservation (Amsterdam, 2017)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
Course: Inpainting and Loss Compensation on Paper (Premià, 2016) GallerySouth Florida Art Conservation), Alexandra Nederlof (RijksMuseum, Netherlands), Orsolya Zelenák (Hungarian National Gallery), Arantxa Blat (Museum of Islamic Art, Qatar), Chiara Fornaciari (Vatican Museum), Nina Hesselberg-Wang (National Library of Norway), Küllike Pihkva (National Archive of Estonia), Daniel Gillberg (Oslo Conservation Studio, Norway), Eugènia Piferrer & Rita Udina (Rita Udina's studio). More information here.">
Course: Inpainting and Loss Compensation on Paper (Premià, 2016)
Techniques, materials and products to infill and in-paint. Use of micro-powdered cellulose in paper conservation, mould casting of textures (either acrylic or cellulose powdered based), matching colour with paper pulp, dyes and colorants, colour, light, tools, criteria, un-restoration, digital retouch, tips and tricks for retouching.
